Leprechaun 4: In Space
The Leprechaun
series had really outlived its usefulness after the rather awful first film,
but taking the character into space truly proves that all bets were off and no
place was too outrageous. Seriously, at this point Warwick Davis had just said,
“Fuck it.” Fortunate for him the Harry
Potter series of the 2000s would offer redemption to his career. Many do
actually enjoy these movies, but once Lep was grown into a giant and had turned
a half-man/half-machine Machiavellian scientist into a
half-man/half-machine/half-spider/half-scorpion and later “went to the Hood”,
there comes that point where one must wonder how it all got here. At least in
the first film, Leprechaun sort of made sense and as a one-off, the character
might have existed as a made-for-video creature feature lost into the obscurity
of rental shelf fodder occupying space with the likes of Rumpelstiltskin (1995). Instead, Davis remained employed, continued
to inhabit his Gabe Bartalos make-up and remain dedicated to the wicked glee of
the character, and never just went through the motions. I don’t think you ever
saw Davis just giving us the middle finger (as his lopped off hand in space does
at the very end) and cop out even when the character went to the Hood. Still
out of the films in this series, …In
Space is closest to the 80s Corman New World cycle of low budget sci-fi
monster movies. It exists without tying to any of the other Leprechaun films. It simply appears
completely standalone.
* / *****
Despite what happened to him in the previous film, …In Vegas, Leprechaun is alive and well
on some red atmosphere planet with a queen he plans to make his wife, gold
seemingly a mineral in abundance where he resides. A Marine team work for Dr.
Mittenhand (Guy Siner), at Midnight closing out a contract for him. Mittenhand’s
scientists, the measly, small-statured Harold (Gary Grossman) and stunning
blonde, independently-minded Tina (Jessica Collins), realize that the queen on
the planet kidnapped by Leprechaun has regenerating tissue. Mittenhand sees
this as a miracle he can exploit, certain to secure her DNA for his own
purposes. This possible queen (Rebecca Carlton, going all the way with the
scheming villainess, complete with treacherous intent and diabolical plans to
rule the universe) spends some time plotting with Leprechaun while other times
at odds with him. Either way, Carlton looks fantastic in her scantily clad
intergalactic princess outfit. Also looking mighty alluring is future Home Improvement show model, Debbe
Dunning, as the female Marine of the galactic soldier team, Delores.
While Leprechaun is engaged in laser gun combat with the
soldiers (replacing the usual terrorists or space creatures in these films),
Mittenhand continues to develop his plans for Carlton’s genetic material.
Carlton, during the middle of the film, is unconscious while Leprechaun picks
off the Marines throughout the ship. Dropping a cargo box on somebody or
causing another to fall from great heights off one level scaffold to another;
Lep is dutifully eliminating B-movie casting as expected. Soon Davis and
Carlton, when not arguing, are scanning the ship orbiting their former world
for his gold (Mittenhand has a machine that can shrink objects and return them
to their original size). Lep is always concerned for and obsessed about his
gold. Even as the sequels change in absurd ways, Lep’s focus on his gold
remains the same. When Mittenhand’s machine has an adverse reaction on
Leprechaun, increasing his size so he can move about the cargo hold a giant, as
an auto-destruct sequence is underway (started by Lep to blow up the remaining
survivors he hadn’t killed already); the film fulfills its duty to the series
of remaining ridiculous to the extreme.
Brian Trenchard-Smith is dedicated to producing a sequel
complicit in its desire to amuse without a hint of subtlety or wit. Even when
Lep does his rhyming shtick, the dialogue isn’t exactly tickling that part of
your brain wanting to be challenged with profundity. It doesn’t parade rich
insight into our thoughts or request us to reach within our intellect to mull
it over. This is a leprechaun, with a monstrous face, in full costume, on a
space ship, waving his hands and causing spells that create handcuffs out of
thin air that lock a soldier to a metal shelf. He is blown up not once, not
twice, but three times. We’re talking Lep exploding into bits and pieces. He
actually bursts out of a soldier’s dick. He injects genetic material, a spider,
and a scorpion, mixed in a blender, into Mittenhand. Lep even causes Carlton to
develop sores on her face because she’s a bit too vain. You get Carlton exposing
her breasts because her species consider that a death sentence to those
flashed! This isn’t a film dedicated to brightening young minds.
I actually recall renting this when I was like 20 years old.
That has been 19 years ago! Hard to believe. But in the 90s, you found shit
like this all the time. There were some nuggets along the way on those rental
shelves. This was a steaming pile certainly not suggesting much merit beyond
perhaps entertaining you depending on your mood. Why I felt the film deserved a
couple bucks, a VHS tape grabbed off the shelf of some makeshift service
station/rental store hybrid is anybody’s guess. I guess I was one of those in
the mood for a steaming pile, hoping it’d entertain me.
I’d hate to leave the review without at least giving the
film credit for not killing Miguel A. Núñez Jr. He’s wrapped in spider webbing
and icky red, sloughed off skin, but it could have been much worse. He rarely
leaves these films alive. He’s that running joke where when you see his name in
the credits the immediate thought it wondering how he’ll be killed during the
film. I guess when you see his Sticks trying to find a code to rectify the
auto-destruct ticking away, knowing that Mittenhand’s hybrid monster was loose,
it is a given thought he’d be cocooned lunch. But thankfully we got to see him
spared. Not so good is the Marine leader, Sarge (Tom Colceri), made to look
foolish by Lep, behind this spell that causes him to dance about without will,
dressed in lipstick, cocktail dress, wig, stockings, and heels (that I’m not
saying is foolish, but Lep’s causing him to act outside of his own free will to
do his bidding, as he sings and dances until a rifle with bayonet shows up out
of thin air for him to use against others) before Tina suckers him into electrocuting
himself, revealing that he’s actually a cyborg. Colceri, during the film, has a
metal plate on his head. Rigors of war, it seems, but ultimately once he is
fried does the inside of his skull reveal wires and robotic parts. Bayonet into
an electrical socket and Sarge is no more. Despite some variable special
effects (budgetary restraints obvious), I thought Sarge’s electrocution was
rather impressive. The sets of the ship (and the ship itself, CGI low-grade)
are what you might anticipate…maybe some of them were borrowed from those
behind the production of Babylon 5.
Brent Jasmer is “Books”, the hero of the film. He’s the
prototypical Z-movie hunk who has some initial tension with the lead female of
the film (Collins) before they settle their differences as peril provokes them
to join forces not continued bickering. That was for Lep and his queen. Rick
Peters might be a recognizable face as a television character actor. Here he’s
the secondary victim fodder, entering a waste disposal chamber with Books
looking for Lep, his protective suit ripped exposing flesh-eating bacteria that
renders him a bloody skeleton in seconds! That’s the movie’s logic in a
nutshell.
The series wouldn’t have lasted through so many films if it
didn’t appeal to some demographic. These films leapt (or “lept” if you so
prefer) off the rental shelves in their day. In fact I have noticed the series
is available together in a set at Walmart. So there you go. In the film, you have the customary escape through ventilation system, Collins' pants being ripped off, and Monster squealing, "Help me." Lep causes a pan to squish a face as if right out of a Tom & Jerry cartoon. Lep even has his own green light saber! Not be undeterred, Lep even quotes Shakespeare...well maybe his own Shakespeare.
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