Friday, November 24, 2017

Lost - Exodus Part 3 [The Hatch]




The perils of getting on the Oceanic are not lost on any of us who had followed the first season of Lost. It took some great cosmic unwind to get all the principles onboard the Oceanic, and in the final episode of the first season, Hurley’s journey to the plane is met with great exercise on his part. When he enters the plane, huffing and puffing, exasperated, and soaked in a chest of sweat; Hurley’s motoring it from the hotel to the plane, the devices that go kaput (his vehicle’s gauges go screwy and it dies right during the drive to the airport) and the obstacles (like buying two seats due to his size or just getting on the plane without “going to the back of the line”) he endures provide emphasis on just what it took to get him to the island. “Numbers” told us that Hurley had experienced what he felt was a life-altering dissonance where the use of a particular “numerical code” led to a big lotto win, but following suit was plenty of unwanted grief.

On the island, those numbers, located on the side of the hatch that Locke so desperately wants to open are more than familiar to Hurley. He feels that if Locke opens that hatch the numbers will only incur bad luck. But Hurley be damned because Locke is not passing up the chance to finally open that hatch, doing so with dynamite despite the loud warnings not to. The hatch is such an obsession for Locke that he has devoted time and attention, heart and soul, to opening it. And he’ll not let Hurley’s ravings stop him from this mission.

Jack was so adamant that Kate not carry the dynamite, he quietly pulled a “Kate bait and switch”. Something Kate has always been good at: covertly, like a ninja, moving about when needing to accomplish something discreetly. Jack does it this time, putting the stick of dynamite in his bag when she wasn’t looking. Prior to their arrival to the hatch the island once again seemed to visit upon them a monster. I swear I heard metal, but what that monster is doesn’t appear as important as where it seems to come from (or retreat back to) when pursuing Locke, Jack, Kate, and Hurley. Locke stays to confront it as if the monster (or island?) wouldn’t hurt him. A brief flashback has Locke on the plane, dropping a guide, unable to pick it up. On the island he has his legs and can only contribute that to the island itself. So in regaining his legs, it gives him this sense of impervious safety…as if he’s protected from the island’s dangers. When being caught by the monster (not seen in some ingenious camera work that never fails to indicate something is stirring about and “making contact” but cleverly keeping that “it” concealed), Locke is carried to a hole and almost pulled away, but THE GREAT AMERICAN HERO, Jack, comes to the rescue and tells Kate to go to his bag for the explosive. Using a stick, dropping it into that hole where it eventually lands and explodes, Locke is “unlocked” and the three pull away to safety. To the hatch they go to blow it, looking down into what seems to be infinity, a ladder that only leads so far with the camera taking us into darkness before the fade to black. So what now? Does Locke allow this to deter him from perhaps descending into that darkness? As for the previous hole that the “monster” almost carried Locke into? Where did it lead? Locke was willing to see, but Jack wasn’t about to lose him.

No comments:

Post a Comment

Franky

Franky

drac 31

drac 31

Cushing as..

Cushing as..

Most Popular Posts

Ahs

Ahs

Edc

Edc
Blog's Dead all Over
"... perhaps we invent artificial terrors to cope with the real ones."

--host, Donald Pleasence, Terror in the Aisles (1984)

Sbut

Sbut
Snip. Snip

Hal

Hal
There are many things under the sun
---Dr. Werdegast, The Black Cat

hal1

It's Halloween, everyone's entitled to one good scare.

Jtm 2

Jtm 2

Rave

Rave

Mrub

Mrub

Gb

"Back off, man. I'm a scientist."

--Ghostbusters

sm6

sm6

Rv1

Rv1

Nas

Nas

nos3

nos3

Lok

Lok

Po

Po

Ra6

Ra6

dawn

dawn

Dracula's Daughter ('36)

Countess Zaleska: Be thou exorcised oh Dracula, and thy body long undead find destruction throughout eternity in the name of thy dark unholy Master.

mh2

mh2

z2

z2

Hiii

Hiii

Fred

Fred

Ghspo

Ghspo
Movie, so-so, but poster, cool

Enl

Enl

nos4

nos4

gm

To a new world of gods and monsters!


No 2

No 2
Jason Lives

clothes line

clothes line

Ahorr

Ahorr

Cbi1

Cbi1
Case of the bloody iris

Wsha

Wsha

Mouth3

Mouth3
In the Mouth of Madness

Fdfn2

Fdfn2
Freddy's Dead '91

Vyr

Vyr
Vampyres 1974

Sh fr

Sh fr
Friday the 13th Part 2

Vlov

Vlov
Carmilla's kiss

f133

f133

Edpos

Edpos

Ttf2

Ttf2

Jm2

Jm2
El Hombre Lobo

Psycho '60

It's sad, when a mother has to speak the words that condemn her own son. But I couldn't allow them to believe that I would commit murder. They'll put him away now, as I should have years ago. He was always bad, and in the end he intended to tell them I killed those girls and that man... as if I could do anything but just sit and stare, like one of his stuffed birds. They know I can't move a finger, and I won't. I'll just sit here and be quiet, just in case they do... suspect me. They're probably watching me. Well, let them. Let them see what kind of a person I am. I'm not even going to swat that fly. I hope they are watching... they'll see. They'll see and they'll know, and they'll say, "Why, she wouldn't even harm a fly..."

Kife

Kife
Knife is calling, Psycho 2

Meg

Meg
Meg Tilly, Psycho II

ring 2

ring 2
the ring 2002, "the tape"

poster

poster

exor1

exor1
"the visitor" The Exorcist (1973)

Conj

Conj

Tz1

Tz1
"Masks", Twilight Zone

In the kitchen, The Shape

In the kitchen, The Shape
In the kitchen, The Shape

exc4

exc4

Ps56

Ps56

Hun

Hun
Murders in the Rue Morgue 1932

Ps89

Ps89

Cof

Cof
Victor and Paul, with their Monster

pcushig

pcushig

His

His

Efny

Efny

sus

sus
I'm going to grind you down to blood and screams.

--Innocent Blood 1992
Rest in Peace, Robert Loggia

wb

Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.

WZ

WZ

Edfen

Edfen
"Do not enter the city...It belongs to the dead now."

h1

h1
Look behind you!

Bs

Bs
"There is no terror in the bang, only the anticipation of it."
--Alfred Hitchcock

linnea

linnea

Amer

Amer
Taste of metal

The h gang

The h gang

Nlc

Nlc
Old Skool Nostalgia

Hp

Hp

Smoke

Smoke
Got a smoke?

Strek

Strek
Live long and prosper

Hill

Hill

Castle

Castle

SRW

"This seems to be the place where the plot begins to thicken..."
--Spooks Run Wild (1941)

Frere and dummy

Frere and dummy

Mlove

Mlove

Alone/dark

"There are no crazy people, doctor. We're all just on vacation."

--Alone in the Dark (1982)

Lips

Lips

Fhz

Fhz

Ph

Ph

Vestron

Vestron
Vintage VHS

sm 3

sm 3

Monique parent

Monique parent
Erotique in Review

Were5

Were5

f13

f13
November 2015

Bmate

Bmate

--Wes Craven

I think there is something about the American dream, the sort of Disneyesque dream, if you will, of the beautifully trimmed front lawn, the white picket fence, mom and dad and their happy children, God-fearing and doing good whenever they can, and the flip side of it, the kind of anger and the sense of outrage that comes from discovering that that's not the truth of the matter, that gives American horror films, in some ways, kind of an additional rage.

Ms45 w

Ms45 w

Churcvh

Churcvh
The Church 1989

Ww

Ww
The Whip and the Body 1963

Lsho

"Now, no novacaine....it dulls the senses"

--Little Shop of Horrors (1960)

Christopher Lee

Every actor has to make terrible films from time to time, but the trick is never to be terrible in them.

Vampyros lesbos

You are one of us now. The Queen of the Night will bear you up on her black wings

The Unknown 1927

No....not sick. But I have lost some flesh.

Alonzo, the Armless.

Ckvh

Ckvh

Blood of Dracula's Castle (1969)

Glen: We'd like to speak to the Townsends, please.

The Butler: They are not available till after sunset.

Bw5

Bw5

Jill

Jill

Mad Love 1935

Doctor Gogol: Did you ever hear of Galatea?

Lavin - Waxworks Proprietor: Gala - who? Not wanting a statue of him, are you?

Doctor Gogol: I don't want a statue of Galatea. You see, she was a statue herself. Pygmalion formed her. Out of marble, not wax. And then she came to life in his arms.

Lavin - Waxworks Proprietor: [calling to his assistant] Start the motor, Henry. There's queer people on the streets of Montmartre at this time of night.

Doctor Gogol: [handing him his card] Here, a hundred francs if you deliver the statue to my house.

Lavin - Waxworks Proprietor: [reading card] It's a go, Dr. Go... gol. First thing in the morning.

Edd

Edd

Sh6

Sh6

Bce

Bce

Hc2

Hc2

hal

I met him, fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil.

The gang

The gang

Mut

Mut
Mutant 1982

fas

fas
Fascination (1979; d. Jean Rollin)

exorcis

exorcis

Pspo

Pspo

Fpr5

Fpr5
Still not shown in Fth13p2

Ml

Ml

God

God
Grapes of Death

Ipt

Ipt

Nm4

Nm4

Elm

Elm

Cbi

Cbi

He

He

ed 2 11

ed 2 11

girl

girl