Macumba sexual: Entre Acte

I guess I look at Obongo as a type of spectre that doesn’t haunt as much as pleasure and arouse Alice. Alice will be out on a terrace, naked on a lawn chair, asleep and vulnerable, with Obongo’s hands crawling up her body looking to drive her wild, even masturbating her during the process. Outside of the fantasy dream is resort proprietor Jess Franco peeping on her from on the other side of a door leading to the terrace. She startles out of her sleep to find him, not Obongo, looking on, immersed in his voyeurism.

tribal statues and the whole cultural milieu Jess exploits effectively

One of Jess' many shots of the location

As is typical, Romay naked and sleeping

Room with a View

 They Call Him the Peeper

Well, if you really like ’83 body Lina Romay, then this film gives you your money’s worth. She’s naked A LOT. And even when she’s not naked, she’s scantily clad. Jorts and tiny bikinis are it. She’s actively involved in sex with Wilson (and her entourage, a man and woman who accompany her as slaves to her sexual whims) or intimately making out whenever the film calls for it. And there is Franco’s camera enjoying it all. The film cavorts with Wilson and Romay, delighting in their lusty antics. One scene has Wilson and her slaves tongue-pleasuring Romay as she takes it all joyfully.

One bizarre scene doesn’t even involve Romay. Wilson forms a symbol important to her in the sand right in the middle of the desert, finds a white artifact buried within the circle, gives it a licking, and briefly her slaves dildo her with it! Franco doesn’t spend a lot of time on the scene, getting the point across and moving on. Since Romay isn’t involved, it seems Franco doesn’t feel the desire to hold much attention to the scene.