The number of Italian and Greek locations involved in the
film (the Italian Alps, for instance, and the Meteora Mountains are just
breathtaking), the entirety of the car chase, ski chase, mountain ascent, and
the boat sinking in the Albanian sea (containing the electronics involved in
maintaining secret British spy operations, containing the ATAC device (which if
acquired by rival countries could use England’s own bombs against them), of
interest to Kristatos because of the ATAC device’s value to Russia, are all
just dazzling. I think getting back to the basics was just the right idea. I
mean how the little yellow Citroën 2CV takes a licking and keeps on ticking as
Bond and Melina (Carole Bouquet) must push through narrow village roads and through
treacherous wilderness brought me such bliss…that poor car was mangled and
smashed by the end of the sequence. And when Columbo and Bond pursue Locque
(Michael Gothard) on the docks with gunmen firing and subsequent explosion,
ending with a car dangling over a cliff as Bond makes sure Locque doesn’t get
away this time gives us the KABOOM and satisfying death of a real scumbag (who
used a dune buggy to wallop a fake Contessa helping out Columbo on a beach).
The mountain climbing sequence, of course, is quite the final setpiece, giving
us a gulp in the throat, especially when one of Kristatos’ men tries to free
the hooks and kicks Bond down from the top of the mountain with the monastery,
himself eventually hurled off to his doom. Yeah, I could see why little
Lynn-Holly Johnson all close and personal with the much older Bond might be
more than a bit creepy, but it is directed in a way where Moore’s unease with
this flirty young woman sets off a lighthearted tone that offsets what could
have been a rather cringy sex scene…but, if we are honest, Moore was getting up
there by the time he was Bond in the 80s, so the young Bond women associated
with him often left us maybe a bit uncomfortable. Unless you aren’t critical of
age gaps, that is.
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Erich Kriegler, a champion shooter can't quit hit evasive Bond |
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Meteora Mountain, where Kristatos has the ATAC device. A monastery is the clever hiding place on a mountain Bond must ascend |
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Fighting it out for the ATAC device, Bond eventually attaches a bond to the diving bell |
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Charles Dance in an early role as a henchman, next to Locque |
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Cassandra Harris as a lover for Bond almost shows her breasts |
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Margaret Thatcher made an appearance. Haha. |
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Columbo, the "Dove", a dealer in many things, joining forces with Bond |
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Bobsled sequence, featuring Bond on skis evading gunmen on motorbikes |
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the ski sequence has always been a favorite of mine since childhood |
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God, I loved this car! |
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Bibi Dahl just crushes hard for Bond |
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Moscow always depending on him to give them key info about their rivals |
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The Citroen 2CV, the little yellow car that could, pursued by assassin Hector's henchman throughout narrow Madrid |
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Kristatos (Julian Glover), the villain of the film |
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the parrot, comedy relief, of Melina's murdered father |
I can only imagine how jarring “For Your Eyes Only” (1981)
must have been after “Moonraker”. This film isn’t a “gadget” Bond movie. It was
far more a “stunt” movie in the Bond tradition, but Moore still gets to relay
comic expressiveness (see when Bibi Dahl (Baby Doll, heh.) goes to bed Bond and
lays quite a kiss on him) as in the past, with some quips still available so
that we don’t forget that even if this particular 007 film tries to relinquish
a lot of the silliness in favor of getting back to the bare essentials it is
still his series at this point. “Octopussy” (1983) has definitely rose in the
ranks of Bond films for many fans over the years and I can see why. My own
reassessment of “Octopussy” has changed over the past two viewings, but
Saturday night’s “For Your Eyes Only” watch just reaffirms my love for it
because it gives us nice European locations which I always appreciate (these
films are travelogues for many of us who will never get to visit them in our
own lives, so there is certainly envy and visually arresting
scenic beauty in spades) and enough action
sequences to exhilarate and thrill.
Topol as Columbo has to be mentioned as quite a fun addition
to the cast. He’s the blustery, charismatic criminal dealer in goods who
cleverly avoids prosecution and aligns with Bond because Kristatos frames him
as the one responsible for the murder of Melina’s parents (her father using an
underwater temple dive as a cover to help locate the British spy ship “grounded”
by the Albanian water mines they encounter, eventually flooding their
compartments). Kristatos sees Bibi Dahl as a Winter Olympics meal ticket (and
he also lusts for her) with German instructor Jacoba Brink (Jill Bennett)
assigned to keep her training at a high level. He also sees receiving quite a
payment for the ATAC device. When Bond and Melina later retrieve the ATAC
despite efforts from Kristatos (the diving bell with steel claws and the
underwater manned mini-sub clawing at Melina and Bond’s “Neptune” provide
obstacles) to leave them on the bottom of the ocean, and they are tied together
and dragged (with Bond cut so that his blood will attract sharks; because a
Bond film just has to have sharks) by a speeding boat is yet another impressive
action setpiece. I am always a bit surprised when I read that there were plenty
critical of “For Your Eyes Only”…perhaps they wanted the continuation of heavy
emphasis on gadgets, extravagant heavies, and comedy. I certainly was never
bored as many of the critics of the time seemed to be. To each their own, I
guess. 4/5
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