Battlestar Galactica - He That Believeth in Me






Since the big twist revealing Colonel Saul Tigh (Hogan), Sam Anders (Michael Trucco), President aid, Tory Foster (Rekha Sharma), and Chief Galen Tyrol (Aaron Douglas) were revealed to be four of the mysterious five Cylons, the series certainly threw us one hell of a curveball but opened so much possibility for great melodrama. Case in point: Kara ‘Starbuck’ Thrace (Sackhoff) returns from earth—or so she claims, with photographs from orbit but her ship is clean and seemingly brand new and she has no memory of how she got there or returned, much less how she seemed gone for a few hours while the crew of Battlestar Galactica tell her she’s been away for six months!—tells Anders that if she knew he was a Cylon she’d shoot him between the eyes (Anders tells her that he wouldn’t if it the roles were reversed!). There is a lot to absorb in the first episode—the BG Creative team sure tries to fit in a lot within about 45 minutes. Like Dr. Gaius Baltar (Callis) found innocent and helped to go “in hiding” by a cult of “worshipers” (seemingly all female) who believe he and God are tight…he gets help from Head Six (Helfer) in trying to steer conversation about God with some of the beautiful women, all devoted to his “cause”. He is nearly killed by a member of Galactica who blames him for the death of his son back when they were colonized (and he was President) in the restroom during a “close shave”, helped by one of his followers and a trusty lead pipe. But Gaius does call on God to take him instead of the son of his devotee, Jeanne (Keegan Connor Tracy), burning of a viral infection, needing to somehow fight it off…and the child gets better. The plot is so loaded, that this Gaius plot, any other time, could very well be a bigger subplot, but the Starbuck return and subsequent doubt that she is who she says she is can’t be denied its place as the main A story. This episode even included the destruction of a fleet ship carrying 600 colonists when the Cylons seemed to locate the total fleet before they could ever even build up enough to jump, with Anders, in one of the Vipers, unable to fire upon one of the “Toasters” who turns to confront him only for the red light of its visor to “lock on” his eyes, as if passing off information or some sort of order. And there are plenty of scenes where the Tigh, Anders, Foster, and Tyrol are privy to conversations between the likes of Admiral Adama (Olmos), Starbuck, President Roslin (McDonnell), Lt Gaeta (Juliani), and Helo (Penikett) discussing what to do about the Cylons and how they wish to formulate plans to either avoid or destroy them…so that conflict is ever present no matter when the four are on screen with human crew looking to decide how to get to earth and what to do about the Cylons when encounters are possible again. There is a particularly noteworthy “vision” where Saul shoots Adama, realizes the horror of it, then “awakens” back to Adama ordering him to call on all hands that can operate Vipers to help in fighting off the Cylons…flashbacks to Sharon shooting Adama certainly give this vision serious punch. And when the four are together, that turmoil of knowing they are Cylons who could be “triggered” at any moment while still performing their “human duties” on Galactica is quite palpable. This is just great content and such a kick in the pants as it leaves that never-leaving idea that all of those onboard Galactica could be targets at any given moment…and the four that are Cylons and wish not to be carry that knowledge with them like an albatross. Starbuck refusing to allow Roslin to push Adama to move the fleet through jumps based on the “eye of Jupiter” instead of her “feeling/intuition” (each jump causes Starbuck pain and she gradually is losing the position of earth) sets up the next episode, a gun pointed at the President because Admiral Adama just couldn’t side with her since there are no position offered to set a course. All Starbuck knows is that their jumps take them further and further away. I like when this show is able to get so many characters involved and yet not feel so convoluted that we can’t keep up or understand. 4/5

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