American Horror Story Roanoke Episode 2
Further developments
Matt and Shelby (Andre Holland and Lily Rabe) talk about being stuck with the damn house, pondering selling it. Lee (Adina Porter) gets visitation with her daughter, but bringing her to Roanoke will be her undoing, placing the girl in danger. She talks of a girl, and offering her doll as a trade for her and the family's lives! Matt sees two psychopathic sisters, in nursing uniforms, killing an elderly patient in cold blood. MURDE was spray painted on the wall, and Matt learns later by a taped recording from a raving author/professor (Dennis O'Hare, in a cameo; it appears he was the victim in a pig mask in a recording Shelby and Lee found in the basement they were locked in last week's episode), the sisters he saw were real people and his home was their assisted living facility (for the elderly abandoned by children who wanted them out of the way, allowing the nurses to kill them through various means like rat poison and sock suffocation).
Matt and Shelby (Andre Holland and Lily Rabe) talk about being stuck with the damn house, pondering selling it. Lee (Adina Porter) gets visitation with her daughter, but bringing her to Roanoke will be her undoing, placing the girl in danger. She talks of a girl, and offering her doll as a trade for her and the family's lives! Matt sees two psychopathic sisters, in nursing uniforms, killing an elderly patient in cold blood. MURDE was spray painted on the wall, and Matt learns later by a taped recording from a raving author/professor (Dennis O'Hare, in a cameo; it appears he was the victim in a pig mask in a recording Shelby and Lee found in the basement they were locked in last week's episode), the sisters he saw were real people and his home was their assisted living facility (for the elderly abandoned by children who wanted them out of the way, allowing the nurses to kill them through various means like rat poison and sock suffocation).
Kathy Bates is briefly seen as the matriarch of this backwoods
bonfire clan, roasting someone with a pig face, but Shelby’s claims to the
police turned up nothing when they investigated the spot she says was the
location of the murder and ritualistic shenanigans. Wes Bentley could also be
momentarily seen as a member of Bates’ clan. This was visualized at the end of
last week’s episode and just touched on quickly and ambiguously at the
beginning of Chapter 2. The Polks are often mentioned as the folks giving the
Millers grief, but so far the new season hasn’t decided to get them seriously
involved.
Lee and her frustrated husband (Charles Whitfield) are going
through a divorce and custody issues further fractured their relationship.
Their daughter mentioning violence while hiding in a little closet, regarding a
negotiation with a murderous ghoul, doesn’t help matters. Neither does Lee
essentially kidnapping her daughter, bringing her back to the Millers’ haunted
house, with the conclusion freakily unveiling a little jacket hanging off the
branch of a tall tree reaching high to the sky.
This episode seems more geared towards a paranormal presence
in the home and how the Millers question their own sanity at times, wondering
if certain experiences were just a dream or illusion. The police sure felt they
were “kooks”. With the Polks out there somewhere and something evil among them
in the house (the Millers also see a woman outside guiding them towards the
basement entrance which led to the O’Hare tape and camcorder from 1997), the
Millers are tiring of it all. Now Lee’s daughter is nowhere to be found!
Enough good mystery to keep me going, this second episode
might be a bit heavy on sound design and musical scoring but at least the plot
is busy enough (O’Hare’s taking his camera into the house after a lengthy
history lesson on the nursing home psycho sisters is a highlight) to create the
possibility for multiple developments knitted to the Millers and their house.
The inclusion of a former occupant, the specters of the nurses, the idea that
something in the house is more evil than the nurses (their absence when the
police arrive at the home before finishing “MURDE” a sign they were “interrupted”),
and the missing child provide reasons to turn in next week.
The format remains the same: Rabe and Holland playing the *real*
Matt and Shelby while Sara Paulsen and Cuba Gooding, Jr. portray them in
reenactments. Angela Bassett was the reenactment of Lee while Porter is the
*real* version. At the beginning, the bonfire scene is maddening enough (some
poor soul has the head of his skull gone, with his brain showing!), with Bates
talking in some type of “backwoods-speak”, to wet our appetite as to their
gradual emergence as the season continues.
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