Battlestar Galactica - Home*
There is a key scene at the very end where Petty Officer
Dualla was requested to speak with Commander Adama about his “rage”. She’s
honest with him because really enough is enough. Families are separated and
apart; the fleet’s division weakens both parties. And the Cylons are the ones
who benefit from their division. She is even persistent that he listens to her.
She addresses that because of the Petty officer rank that perhaps he figured
she would just allow him to vent without honest retort. And, sure enough, he
actually takes what Dualla says to heart and acts accordingly.
I think Home Parts One and Two is perhaps the best episode
of the series up until this point because it closes certain chapters. Is Number
Six a chip in Gaius’ brain or just his guilty subconscious manifesting? Will
Roslin and her company of believers find the Map of Athena now that Starbuck,
Helo, and Caprica Sharon Cylon have returned with the Arrow of Apollo? Will the
Cylons on Kobol disrupt Roslin and company’s efforts to find the location of
the Map? Can Commander Adama and [Former] President Roslin find common ground,
come to a peaceful resolution after such a contentious period of unrest, and
agree to reunite instead of remain splintered and distanced?
Seeing the father and son Adamas hug, Commander Adama nearly
in tears when his eyes meet Starbuck, and that all turn completely when another
Sharon appears in front of him is really, to me, an incredible sequence of
events. So much emotion, from relief and euphoria to rage and anger, in about
five minutes…as a viewer who appreciates this work of all the actors involved
and how the developments build to Sharon having to prove her loyalties (James
Remar’s Zarek loyalist, Meier, is plotting to kill Apollo so that Zarek can
slide into Roslin’s leadership position, so if he isn’t stopped by Sharon the
execution might be carried out as planned) is a treat to watch. Gaius
continuing to insult Number Six and mock her belief in God is turned on him as
he must endure her own antagonizing, provocation, and disregard for his
paranoia. Gaius getting a CT scan by an unamused Dr. Cottle especially cracked
me up because he continues to contend with Number Six “in his head”, conversing
with her even as Cottle tries to get him to stay still, questioning why he’s
talking to himself. Her “revelation”—that she’s an angel of God informing Gaius
that their child is actually Helo and Caprica Sharon’s, assuring him that all
Number Six has told him in the past is true—is quite a lot to absorb.
Particularly after all this Number Six further concludes to Gaius that
following the birth is the annihilation of the human race…of course, that. Finding the Map of Athena, after a
Cylon attack ensues when Elosha sees a stone symbol, not realizing it is a bomb
trap that kills her.
Not being able to replace Apollo is also a grueling
situation Commander Adama and Colonel Tigh have been unable to counteract. Trying
a green Lt Birch (Ben Ayres) as a substitute proves to be quite a pain in the
ass, too. Birch tries hard, but even Tigh knows he’s inexperienced as a leader
and lacks certain leadership qualities needed to take pilots with very little
real experience (and still competing with anxiety) into combat, as an asteroid
belt training session and docking mission result in failure. Commander Adama
having to accept that Birch just isn’t the right one for the job, eventually agreeing
with Tigh that another replacement is necessary, although no one is Apollo (or
Starbuck, for that matter).
Apollo kissing Starbuck and their playful (and eventually
serious) exchanges once she returns cannot be excluded. Starbuck leaving
Caprica was hard, and the mission, returning with the Arrow, left her with a
lot of mixed feelings. Knowing that some were left behind, not to be included
in the fleet, leave Roslin feeling some responsibility while Commander Adama
recognizes that the decision was the reasonable one to make considering the
conflict against them.
I was a huge fan of this BSG when it originally aired and I recently revisited the entire series. I still think, warts and all, it's one of the best things ever produced for television. After being smothered under the stifling rules of STAR TREK: THE NEXT GENERATION, Ron Moore set out to create, in this, the anti-TNG and ended up creating the legitimate successor to the original STAR TREK. It's a crime that, by being a genre show, BSG's writing and acting was almost entirely overlooked by the Emmys, which (as usual) confined attention almost entirely to technical categories.
ReplyDeleteIn real time, I was very opposed to the whole return-to-Caprica storyline. In the fact that the human race has nearly been exterminated and has abandoned its home, never to return, the show created a very powerful mythology, one invoked in the opening titles of every episode as the fleet is slowly flying through that nebula "looking for a home called Earth." This mythology is immediately undermined by going back and showing there are large numbers of people still there, still fighting to survive. On top of that, I never liked Anders at all and never believed in the Anders/Kara just-add-water romance, which dominates Kara's story for a long time after this ep.
I definitely don't think this is one of the best eps of the series up to this point. There had just been too many incredible eps--other than "The Farm," the show was knocking it out of the park every week by this point.
I don't know if you've watched it before either, so I won't spoil anything but here's a little of what is to come--some pretty good eps, and then what I suppose one could call the Pegasus arc, which is an awesome thing to behold and only falls apart in the last few minutes of its last ep (when suddenly BSG forgets its own ethos). If you're watching these on disc, I strongly recommend the long version of "Pegasus," the first one in that run and included in the season 2.5 set, rather than the broadcast version. The deleted scenes from BSG in general will break your heart but that ep was simply shorn of too much to fit it into an hour (the longer versions are usually better, the major exception being "Unfinished Business" from season 3; the broadcast version is waaay better). The weak ending of the Pegasus arc is immediately followed by the single-worse episode of the entire series ("Epiphanies") but then things begin to get back on track. Season 3 was the best overall season, and sported the best ep of the entire run ("Unfinished Business").
A buddy of mine let me borrow her Blu Ray sets per season. I'm excited thanks to what you have said because I'm really digging the show a lot.
ReplyDeleteYou're in for not just a real treat but, with the exceptions I noted, a real banquet of them. If you've liked it so far, the series' best moments are still ahead of you. With season 4, things become a bit of a mess at times, as NBC, which had bought up the Sci-Fi Channel, sabotages the show with things like timeslot shuffles then demands the creators end it a season earlier than they intended, resulting in a pretty cluttered and uneven last season but even there--and while season 3 is their best, season 4 is their least--they're still often knocking them out of the park.
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